SOUNDSPLASH FESTIVAL

Raglan

 

SOUNDSPLASH FESTIVAL


mural ARTIST | CONCEPT & paint

freelance designer SHILOH DOBIE


Participatory mural at a three day summer festival in Raglan. 7000 tickets sold.

Copyright © Shiloh Dobie

AUCKLAND CITY COUNCIL,

THE CLOUD, AUCKLAND WATERFRONT

queens birthday weekend

 

 

 

PUBLIC EVENT // AUCKLAND CITY COUNCIL


ARTIST

drawn, produced & facilitated by SHILOH DOBIE
wall design by ZAMMIA WEATHERALL
assisted by ETHAN REID, MARIANA MEDINA & ZAC WEATHERALL
venue THE CLOUD auckland waterfront


Queen’s Birthday on Queens Wharf is back for 2016!  Run by Auckland City Council & In Collaboration with Artists, Performers, Game-makers & Local Food & Wine of New Zealand

Celebrate and appreciate the British Isles with a three-day free event filled with the music, culture, food, industry and history of England, Ireland, Scotland and Wales.

Queens Wharf will transform to bring Auckland a taste of the UK and Ireland on your waterfront. Each day of the long weekend, head to Shed 10 and The Cloud for a full programme of Queen’s Birthday activities, including:

– Vintage and New British vehicles
– British, Irish and Scottish dance and music
– Free films each day – Willy Wonka and the Chocolate Factory (1971); Alice in Wonderland (1951); Paddington (2014)
– Mad Hatter’s Tea Party
– Teddy Bear’s Picnic
– High Tea
– Carnival rides
– The Great Queens Birthday Market
– Sports: tennis, croquet, badminton and more
– FIFA U-20 World Cup base
– Auckland Heritage Walks
– Medieval re-enactment
– Children’s workshops
– New Zealand Maritime Museum dress-up photo booth
– Auckland Museum genealogy and wartime displays
– Storytelling

 

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NEWS COVERAGE

AUM PRODUCTIONS

AUCKLAND

 

aum productions


installation artist | concept & fabrication

freelance fabrication SHILOH DOBIE


Four day New Years Festival, South Head, Auckland. 2000 tickets sold. 2016/2017.

Copyright © Shiloh Dobie

SPACE TRASH MEN

NZ SHORT FILM

 

 

short film


Costume DesignER

written and directed by BEN CHILDS
produced by BEN CHILDS & BRETT MILLS
based on a story by JACK BARROWMAN

http://www.imdb.com/title/tt4610184/

It’s Tu’s first trip on a spaceship that takes earth’s trash deep into space. He sees the job as a stepping-stone to bigger things and looks down on his senior workmate, Barry, who’s been doing it for years. Cabin fever sets in and Barry tries to re-ignite his old drumming hobby. It’s not until Tu discovers that Barry’s enthusiasm for the job may be a façade, that he begins to understand the old man.

Shiloh Dobie collaborated with Julia Fenn and Jack Taylor to design and construct Tu’s orange spacesuit (depicted).

 

 

Copyright © Shiloh Dobie

BIRDSONG

NZ SHORT FILM

 

 

SHORT FILM (NZ)


COSTUME DESIGNER

directed by BEN CHILDS
written by CAMERON BROWN
starring PETER FEENEY

http://www.imdb.com/title/tt3503344/?ref_=ttfc_fc_tt

Birdsong is a quirky coming-of-age short film set in a stylized 90’s New Zealand. It follows a young boy’s changing perception of his eccentric father. He steals dogs, he runs obsessive tests on injured animals, and wears a finch-like bird mask. A tragic turn raises the stakes, the relationship now hinging on the validity of the father’s experiments.

Birdsong was awarded First Place in The Best Foreign Film Category at Indie Fest USA International Film Festival, 2013 and was also selected for the Sandfly International Film Festival in Australia.

Shiloh Dobie collaborated with Julia Fenn and Jack Taylor to design and build the Father’s bird mask (depicted).

Birdsong

Copyright © Shiloh Dobie

FUSE CIRCUS

NZ INTERNATIONAL COMEDY FESTIVAL

 

 

THEATRE // CIRCUS


SCENIC ARTIST

produced by FUSE CIRCUS

NZ International Comedy Festival 2012

IN A STEAM PUNK SCI-FI WORLD, REVOLVER CAPTURES THE ROMANTICISM OF THE TRAVELLING CIRCUS & COMBINES IT WITH THE RAW CONTEMPORARY BLOOD-LUST OF THE STREETWISE MODERN WORLD.

Performed by internationally renowned New Zealand circus & physical theatre artists on a revolving stage, Revolver celebrates the idea of chance, juxtapositions of attraction & repulsion, gender, sexuality & body image.

With the audience all around the stage, the boundary between art & life dissolves & the audience becomes immersed in the imaginations of the artists where anything can & does happen!

A performance of anarchic humour, outrageous circus skills, live singing & audience interaction.

Shiloh Dobie painted the animated cog Set, through which the performers enter the stage (depicted).


Praise for Revolver:

All in all, Revolver is a remarkable, raunchy and risibly rude night at the cabaret circus.

– Virginia Kennard, Theatreview

Copyright © Shiloh Dobie

BASEMENT THEATRE

NZ THEATRE

 

THE PRESENTATION OF FINDINGS FROM THE SCIENTIFIC SURVEY OF THE FIRST 7500 DAYS OF MY LIFE DONE IN THE INTEREST OF SHOWING YOU HOW TO LIVE BETTER LIVES



SET DESIGN

directed by NISHA MADHAN (shortland street)
produced by JAMIE JOHNSTONE with PETER MAY
written by UTHER DEAN
venue BASEMENT THEATRE, auckland, new zealand


Some people collect stamps, some people play sports, and some people undertake in-depth scientific surveys for each day of their entire lives. Let’s just say that Max Addison doesn’t collect stamps or play sports. The presentation of the findings from Max’s survey, findings that could indeed be literally considered their life’s work, will be a momentous occasion. To not attend such a momentous occasion could easily be construed as oafish or unthinking. Max is certain that you will wish to avoid this pitfall.

Shiloh Dobie, under the direction of Christine Urquhart, and through collaboration with Sarah Kirk and Lizzie Morris, designed and constructed the Set for The First 7500 Days of my Life (depicted).


https://vimeo.com/140884139

photos & video by ALEX PLUMB


Praise for The First 7500 Days of my Life:

…Max is wise to tell us that ‘everything is falling apart’. It is too and I have to say I’ve not seen so much chaos and carnage on a stage in a very long time. Anarchy rules to such an extent that even the appearance of an upstanding cartoon penis on the whiteboard doesn’t surprise us one little bit. The stage is trashed, there are cables everywhere, people fall over, friendship are ruined and it’s all incredibly, incredibly funny.’

– Lexie Matheson, Theatreview

‘The performer’s efforts are once again aided by set design. Utilising the previous set sans swings, The First 7500 Days of My Life also features a raised wooden stage with numerous trap doors that offer many comedic opportunities.’

– Rebekah Philson, whatsgoodblog

Set designers Sarah Kirk, Shiloh Dobie, and Lizzie Morris, under the mentorship of Christine Urquhart, provide a sleek set for the artificial world of Narcissus, and a DIY raise for 7500, tying them together with visible wiring under artificially lit ceiling panels, and while sightlines for Stephen Bain’s AV Design proved problematic in Narcissus, the issue is simply another tool for 7500 to use to their comedic advantage.

– Matt Baker, Theatre Scenes

Copyright © Shiloh Dobie

BASEMENT THEATRE

NZ THEATRE

 

THE 21ST NARCISSUS


SET DESIGN

directed by ANAPELA POLATAIVAO 
produced by JAMIE JOHNSTONE with PETER MAY
written by SAM BROOKS
venue BASEMENT THEATRE, auckland, new zealand

Three girls form a bond through their mutual love of a #popstar on Twitter. A boy and a girl accidentally meet on Facebook and form a friendship. On Tumblr, a boy with an infatuation for Greek myths and cats, uploads pictures of himself. In the 21st Narcissus, friendship exists between screens.

The 21st Narcissus is about learning to #loveyourself. The 21st Narcissus is about us.

Shiloh Dobie, under the direction of Christine Urquhart, and through collaboration with Sarah Kirk and Lizzie Morris, designed and constructed the Set for The 21st Narcissus (depicted).


https://vimeo.com/140879791

photos & video produced by ALEX PLUMB


Praise for The 21st Narcissus:

‘The swing seats that these three are restricted to, are part of the aesthetically pleasing set design of the show, created by Christine Urquhart with Sarah Kirk, Shiloh Dobie and Lizzie Morris. They hang in front of a white backdrop, and below are three white panels, shadowing various cords and coils. These features look amazing upon arrival.’

– Rebekah Philson, whatsgoodblog

‘Set designers Sarah Kirk, Shiloh Dobie, and Lizzie Morris, under the mentorship of Christine Urquhart, provide a sleek set for the artificial world ofNarcissus, and a DIY raise for 7500, tying them together with visible wiring under artificially lit ceiling panels, and while sightlines for Stephen Bain’s AV Design proved problematic in Narcissus, the issue is simply another tool for 7500 to use to their comedic advantage.’

– Matt Baker, Theatre Scenes

Copyright © Shiloh Dobie

AUCKLAND CITY COUNCIL

AT MYERS PARK

 

 

INTERACTIVE URBAN INSTALLATION // interactive sculpture


SPATIAL DESIGNER

designed & produced by CHRISTINE URQUHART, SHILOH DOBIE, SARAH KIRK, THOMAS PRESS, RACHEL MARLOW, JACK DRYDEN
& in collaboration with the AUCKLAND CITY COUNCIL, BASEMENT THEATRE & SPLICE. photo credit DEBORAH RUTTENBERG

It’s a whimsical inner city garden party and everyone’s invited!

Under efforts to celebrate spring and #ClaimTheConcrete, Myers Park underpass participates with us in a transformational art installation.

Create your own pinwheel, add it to our sculpture and enjoy an afternoon of lamingtons, lemonade, sausages and giant outdoor games.

The event is part of a series of events happening below the Myers Park Bridge, as part of a youth-led initiative to transform the space through art. Brought to you by The Basement Theatre in collaboration with Auckland Council, #ClaimTheCity and Splice.  All events are free, child and dog friendly!

Shiloh Dobie, in collaboration with the above, was involved in concept and design.


Copyright © Shiloh Dobie